• 观看记录
    视频
    视频文章明星
    取消
    推荐搜索
    全部
    电影不安

    不安

    影片信息

    • 片名：不安
    • 状态：HD中字
    • 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
    • 导演：罗伯托·罗西里尼/
    • 年份：1954
    • 地区：其它
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2024-10-07 23:50
    • 简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
    1954/其它/剧情 /其它/

    • 关注公众号观影不迷路

    • 扫一扫用手机访问

     立即播放 WJ线路

    选择来源

    • WJ线路
    网友评分
    暂无评分
    0次评分
    网友评分
    暂无评分
    0次评分
    给影片打分《不安》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页电影剧情电影不安

    播放列表

     当前资源来源WJ线路 - 在线播放,无需安装播放器
     倒序
     WJ线路

    剧情简介

    Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

    为你推荐

     换一换
    • HD粤语中字
      手卷烟
      林家栋/白只/袁富华/杜燕歌/Bipin/Karma/何华超/钱小豪/太保/朱柏谦/周祉君/
    • HD
      狗咬狗骨粤语
      黎小田/薛家燕/吴孟达/吴回/缪骞人/许冠英/张国荣/卢海鹏/夏春秋/陈有后/
    • HD
      杀出个黄昏粤语
      谢贤/冯宝宝/林雪/李灿森/贾晓晨/颜子菲/顾定轩/何雁诗/林耀声/符家浚/钟雪莹/张凯娸/
    • HD
      叔·叔粤语
      太保/袁富华/区嘉雯/卢镇业/胡轶心/林耀声/江涛/王晓怡/刘亭君/施魅力/黄国辉/翟紫筠/
    • HD
      梦断江湖粤语
      尹扬明/黎姿/刘江/
    • HD
      插错美人头粤语
      邓碧云/罗剑郎/梁醒波/半日安/刘克宣/西瓜刨/张醒非/李学优/
    • HD
      意外粤语
      古天乐/任贤齐/冯淬帆/叶璇/林雪/陈望华/韩雨芹/Cheung/Wing/Lai/Peter/Lau/刘宗基/吕少坤/明德丰/莫小奇/Jo/Hung/San/Lui/Yiu/Tung/
    • HD
      天涯海角粤语
      金城武/陈慧琳/王敏德/陈小春/何超仪/陈豪/陈德森/张达明/玛利亚/方平/徐濠萦/
    • HD中字
      恋战冲绳粤语
      张国荣/王菲/梁家辉/黎姿/谷德昭/车婉婉/樋口明日嘉/加藤雅也/
    • HD
      神偷谍影粤语
      金城武/陈小春/杨采妮/李绮虹/王合喜/方中信/
     换一换

    最新资讯

    更多
      更多

      评论

      共 0 条评论

      剧情电影排行榜

      更多